![]() In the words of Justin Timberlake as Sean Parker, "you know what is better than 30 NBA teams? Anywhere from 31-36 NBA teams." The process of overhauling the scheduling aspect of MyGM mode to allow the addition of anywhere between 1-6 teams while still having a balanced schedule, a lottery process that adjusts and doesn't skip a beat, and the proper coding in the playoffs is astonishing. (Note: There is also a MyLeague mode that is just like MyGM except you can control anywhere from 1-to-all NBA teams and veto decisions that happen. Let's go over those two additions in detail and then go over other things that have been upgraded or need improving moving forward: The way they've accomplished this is by adding two very important elements to this mode. The league is ever-changing, the options seem endless, and no two trips through MyGM mode will be the same. In NBA 2K17, 2K Sports has eliminated the monotony that can permeate into MyGM or any sports franchise mode. It's still a lot of fun building teams, going through free agency, and making multi-team trades to shake things up, but the repetition can leave you exiting out of the mode and firing it up with a new team because there isn't enough versatility going deep into the decades. You get into a rhythm with going season to season, and once the familiar names have retired, it loses a bit of the luster. ![]() With the NBA 2K MyGM modes of the past, you've had a pretty robust franchise mode, but it has ultimately been quite repetitive. ![]() When you end up with that drafted superstar anchoring your team, you feel like your Sam Hinkie ways of acquiring more draft picks were all worth it. Throw me a franchise mode in which I can shape a roster, trade for extra draft picks, and try to find the gems of each new class of youngsters coming into the league, and I'll be unavailable for hours and wondering where the day went in no time. My favorite thing to do in any sports video game is build teams.
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“A performer who sings while doing dance choreography is going to train differently than a drummer who’s constantly seated and in a more hunched position. Festivals came back, smaller venues that survived the pandemic have been hosting shows since early summer, and a couple weeks ago, in a climactic jolt of normalcy, Billy Joel restarted his residency at Madison Square Garden.Īccording to Battle, the physical preparations for a touring schedule vary based on the exact tasks and maneuvers someone is executing on stage: Physical fitness has definitely been front of mind for musical artists this year, of all years, as the music industry crawls back from an 18-month quarantine to what’s been hailed as a triumphant return. Early on in her career, Jennifer Lopez was frequently told that she “should lose a few pounds.” Carrie Underwood would read comments from her own fans on message boards that said “Carrie’s getting fat.” Long before that, in the mid-80s, Bruce Springsteen aggressively strength-trained for his Born in the USA tour in an effort to channel a working man’s masculinity, completely transforming the lithe frame that graced the cover of Darkness on the Edge of Town. Seventeen miles a day on a treadmill.”įor others in the industry, both men and women, fitness represents the weight of expectation. As Eminem said in 2015, “When it came to running, I think I got a little carried away. For some, it’s been used as a replacement addiction for drugs. ![]() In an era when former sitcom role players like Kumail Nanjiani are now building six-pack abs, lifting weights is now as compulsory as reading lines.įitness has intersected with music for years as well, if too often in problematic, fragmented ways. Consider that Michael Jordan’s fabled day-drinking before games probably wouldn’t be so warmly received in an era where basketball stars spend over $1 million on their bodies a year, or the way Marvel has revolutionized how A-listers prepare for roles. As one study concluded a few years ago: “Musicians may be at increased risk to develop unhealthy lifestyles, and even a variety of health problems, due to the stress, anxiety, and the physical efforts they have to carry out.”īut in recent years, mimicking the health kicks of athletes and actors, professional musicians have started to take their bodies seriously. Many researchers have pushed that narrative in a different direction, pointing out that the notoriously destructive lifestyle that attends rock ‘n’ roll isn’t always a choice - it’s often a hapless reaction to a stressful, strenuous job. We’ve long lionized the rockstar way of life all these bad habits are regarded as the just reward of “making it.” They drink whiskey, eat burgers, snort coke and have unprotected sex with strangers … on Tuesdays. They put their bodies through exhaustive travel schedules. ![]() Musicians keep irregular sleep-wake cycles. It’s also - obviously - a function of the stereotypical rockstar lifestyle. ![]() That number is dragged way down by 27 Club incidents - the many chilling homicides, suicides and accidental deaths that seem to befall bandmates at a rate inconsistent with the rest of us. An eye-popping study from 2015 calculated that “popular musicians” die an average of 25 years younger than the general population. ![]() Historically, professional musicians haven’t exactly been bastions of longevity. "I feel like my rendition of him is pointed towards making people think more deeply about mental health and awareness, and how we treat people with mental health issues. ![]() I don't condone any harm on other human beings, but in terms of his philosophy on treating people with mental illness fairly and not just treating them like a pariah, I think people will be able to agree with that part. "In later episodes, people will definitely be able to relate to some of the things he's saying. "In episode 7, you see that when he makes that speech at the end and poses certain questions that make you wonder, 'Is he crazy? Or could I understand why somebody might feel the way he feels?' I think he draws people in with the way he's able to speak to an audience," he explained to TV Line. The Flash crossover episode, 'Invasion', saw a season three-high viewership of 4.15 million viewers, which was the show's largest since December 9, 2014, and a season three. ![]() Now, actor Nick Creegan has opened up about how his version of the Clown Prince of Crime is "one of the most complicated characters" in the show. The season premiere was watched by 3.17 million people and had a 1.3 demo rating, slightly down from the second-season premiere and on par with its second-season finale. The fastest man alive, he sets out to save. Geeky forensic investigator Barry Allen gets the power of super speed when he's caught up in a freak accident. We at no point were encouraged to think that this might have been a great idea after all, and our hero’s decision to steal people’s lives without their consent and mould them to his liking was at all okay.Related: The Flash's Grant Gustin says Batwoman team-up isn't "what everybody would expect" Entertainment Membership auto renews at 9.99 a month after 7 day free trial, unless cancelled. Iris got loads to do, Carlos Valdes got something slightly different to play, Wally got to don the costume and, crucially, Barry was the bad guy. I loved almost everything about this episode. In this regard, Flashpoint is the absolute perfect thing the show could trot out, as it grounds Barry’s journey back in what we care about – the Wests and his friends – at the same as giving it a shot in the arm, energy wise. Season two got so bogged down in angst and false revelations that, aside from Earth-2 visits, we didn’t get much of the silliness that made The Flash so appealing in the first place. Some logistical questions – if Barry hadn’t seen his mother killed and his father wrongly imprisoned when he was a kid, would he still have become a CSI? And why does he still have his speed, if the particle accelerator never exploded? And why would Cisco’s life have been so different if he hadn’t got the job at STAR Labs? ![]() Iris is still a reporter and has been working with Wally (Kid Flash) in a brother-sister crime fighting duo, Joe is a drunk who doesn’t speak to his kids, Caitlyn’s a paediatric eye doctor and Cisco is the richest man in America. ![]() There’s very little hand-holding outside of a flashback to the night Barry’s mother wasn’t killed, and we’re expected to work things out as we go. The Flash season 3 episode 1 review: Flashpoint Reviews The Flash season 3 premiere grounds Barrys journey back in the Wests and his friends, giving the show a much-needed shot in the arm. Barry’s had his creeper moments in the past, but it’s fair to say that this episode really doesn’t show him in a great light. True to its title, that’s what the season three premiere is concerned with, and it wastes no time throwing us into the thick of this brave new world, opening on Barry doing some light stalking of Iris at Jitters. But the real test was what the show would do with it, and how it would execute a storyline from the comics that is divisive at best. For me, it erased the truly transcendent moment from the first season finale – one motivated by all we had learnt of Barry, his heroism and his love for the imperfect life he had ended up with. I wasn’t a fan of this choice, either from Barry or from the show’s writers. |
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